Labors and Laboring
Posted in Philadelphia on October 30th, 2007 by DanielI’m engaged in a number of unrelated ongoing labors. The most laborious task that’s befallen me is my current job, which involves scanning documents for foreign medical graduates applying to come practice in the U.S. It’s one of those jobs that so temporary I did it for about 4 or 5 months last year (before economic salvation came in the form of those 3 islands in the north Pacific known collectively as Nihon), and have returned this Fall and Winter for more. Last year, we were able to listen to music, and I would wile away the data-entering hours by challenging myself to listen to the entire Anthology of American Folk Music all the way through with no breaks, or take in hours and hours worth of pod-casted Princeton University lectures on subjects ranging far beyond my usual interests.
This year, we don’t have that luxury, so aside from the random sarcastic email that comes over the intra-office network, breaks and listening to the OL’s talk about their children, the job is something akin to carrying big rocks from one pile to another. Actually, I’d rather be busting up rocks that scanning documents, really. At least then I could sing.
The second and far more satisfying labor that I am daily engaged in is working on my statement of purpose for graduate school applications. I’m an assembler when it comes to writing, or at least academic writing. I take notes all over the place, put all the text I come up with into the computer, and then arrange, rearrange and weld the pieces together until they make something pretty and compelling. I then revise constantly, taking things out, putting things in, deleting entire sections of text, and so on. While this may sound tedious and confusing, I’ve found that when it comes to academic writing, this sort of thing is the optimal system for me. It’s particularly strange in that regard because my thoughts are usually quite scattered, and yet I find this textual balancing act both satisfying and productive. I often liken this process not to Sisyphus, but rather to Jacob wrestling the angel. In particular, I think of that Gauguin painting of Jacob and the angel, the one with the three bonneted women watching, and the huge fields of color. I imagine that this sense has something to do with my wanting to be engaged in this personal/textual struggle, wanting to see the results and to make something out of it.